Journée d’étude : Renaissance sculptors and their impact abroad
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Start date:20/03/2015, 10:00
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End date:21/03/2015, 16:30
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Place:Londres, Victoria and Albert Museum, South Kensington
International connections: Renaissance sculptors and their impact abroad
Du 21 au 22 mars 2015
Londres, Victoria and Albert Museum
Andrea PISANO, Sculpteur au travail, 1336-43 Museo dell'Opera del Duomo, Florence (WGA)
This two-day conference will explore materials, techniques and artistic
interconnections across Europe, including the role played by those who
commissioned or sought sculptural works of art from foreign artists.
Friday 20 March
10.00 -10.30 Coffee and Registration
10.30 Welcome: Paul Williamson, Keeper, Sculpture, Metalwork,
Ceramics & Glass, V&A
10.40 Session One – Introduction: Disseminating Artistic Ideas
Chair: Amanda Lillie, University of York
Image and Thing: the distribution and impact of plaster casts in
Renaissance Europe
Eckart Marchand, The Warburg Institute, University of London
The Tuscan sculpture and marble trade with Europe in the 16th century
Cinzia Sicca, University of Pisa
11.40 Refreshments
12.00 Session Two – Italian Sculpture in Northern Art
Chair: Susie Nash, The Courtauld Institute of Art
“Conrat Meit von Worms“- court sculptor of Margaret of Austria
Jens Burk, Bayerisches Nationalmuseum, Munich
Memling and Italian Renaissance sculpture
Paula Nuttall, V&A
13.00 Lunch (provided)
14.15 Session Three – The Netherlands and Spain
Chair: Léon Lock, University of Leuven, Brussels
The sculptural work of Jacques Jonghelinck (1530-1606)
Lisa Wiersma, University of Amsterdam
Arie Pappot, The Rijksmuseum, Amsterdam (co-author)
The activation of the image: expatriate carvers and kneeling effigies
in late Gothic Spain
Kim Woods, The Open University
15.15 Refreshments
15.45 Session Four – Exporting Italian Sculpture to Spain and France
Chair: Carmen Fracchia, Birkbeck, University of London
Sculpture in Italy and Spain around 1500.
Johannes Röll, Bibliotheca Hertziana, Max Planck Institute for Art
History, Rome
Pietro Tacca’s bronze equestrian monuments for Spain
Kelley Helmstutler Di Dio, University of Vermont
16.45 Discussion
17.15 Drinks reception
18.15 Close
Saturday 21 March
10.00 Coffee and Registration
10.20 Welcome and Summary of Day One: Glyn Davies, V&A
10.30 Session One – English Renaissance Sculpture
Chair: Phillip Lindley, University of Leicester
Making connections and asking questions around the transmission of
bronze techniques.
Peta Motture, V&A
Giovanni da Maiano: revisiting the English career of a Florentine
sculptor (1520-42)
Kent Rawlinson, Royal Institute of British Architects
11.30 Refreshments
12.00 Session Two – Exchanges between Italy and the North
Chair: Marika Leino, Oxford Brookes University
Francesco Scibec da Carpi, an Italian woodcarver at the French Court
Thierry Crépin-Leblond, Musée National de la Renaissance, Château
d’Écouen
The influence of bronze casting techniques from north of the Alps on
Florentine bronzes in the third quarter of the 16th century
Robert van Langh, The Rijksmuseum, Amsterdam
13.00 Lunch (provided)
14.15 Session Three – Hungary: Patronage and Artistic Interconnections
Chair: Peter Dent, University of Bristol
The relationship between architecture and sculpture in Hungarian early
Renaissance art patronage
Péter Farbaky, Budapest History Museum
The relief of Alexander the Great in the National Gallery of Art: the
Hungarian connection
Alison Luchs, National Gallery of Art, Washington DC
15.15 Refreshments
15.45 Session Four: Panel Discussion
Chair: Holly Trusted (formerly known as Marjorie Trusted), V&A
Jeremy Warren, The Wallace Collection
Alison Wright, University College London
16.30 Close
Free, booking essential:
http://www.vam.ac.uk/whatson/